Deanna Lee. AWGP: blw, 2014. Gouache and acrylic on wood. 20 × 24 in
Artists Studios Projects at Art Los Angeles Contemporary 2019
Feb 13th – 17th 2019
Booth Main
AS | ARTISTS STUDIOS Projects presents "Whim"- a group exhibition that reflects the mystery of immediate change.
Alchemy
From Lead to Gold
Nov 14th, 2018 – Jan 2nd, 2019
Artsy Online Exclusive
"Alchemy: From Lead to Gold" presents the endless quest of transforming one base metal into something far more valuable. The illusion that lead can be reconfigured into gold has existed since the era of Ancient Egypt. This timeless conviction surfaces here, throughout an array of paintings, sculptures, photographs, and collage made by 13 artists where colors, textures, and materials differ and complement one another.
Katsura Okada. Flecks of Shine III, 2018. Powdered golden pigments, natural liquid adhesive, handmade rice paper on canvas. 20 × 16 in
Gail Flanery. Untitled, 2018. Monotype, acrylic, ink and torn paper. 18 3/4 × 15 in
Twilight
New Work by Gail Flanery
Sep 17th – Oct 17th 2018
New York, Artsy Online
"Twilight" presents four mixed-media monotypes by Gail Flanery that explore color through the lens of gray-scale. By using the range of gray as an underlying context, this selection of work references both early evening and morning hours while different shades and textures of chine-collé paper render contour lines that create the illusion of land, ocean and sky.
Black and White
Jun 18th – Jul 19th 2018
New York, Artsy Online
"Black and White" is a group exhibition that features 13 artworks by 11 artists, spanning the media of painting, sculpture, photography, drawing and collage. Black and white are two colors that function similar to the terms 'either', 'or' since both of these hues signify two sides of one statement that contains juxtaposing ideas. Black and white are not only necessary to distinguish clear arguments from the clutter of rhetoric, but these hues are also necessary to create a thorough representation, where form is defined through the artist's use of color scale.
Cora Glasser. Query in Gray, #1, 2009. Encaustic & oil, Acrylic on Homasote on wood. 30 × 15 in
Pia Sawhney. Bun, 2018. Acrylic on canvas. 24 × 24 in
Burger
May 7th – Jun 4th 2018
Artsy Online Exclusive
"Burger" by Pia Sawhney breaks down America's favorite object of consumption into nine separate artworks that combine digital painting with acrylic to evoke desire. "Bun", "Dill Chip", "Cheese", "Burger" and "Bun 2" are separate photorealist acrylic paintings while "Lettuce", "Tomato", "Condiments" and "Onions" each show a mix of both media. As a photorealist painter, Sawhney’s primary interest appears through vivid realistic depictions, wherein the artist employs subtle details that heighten the object's close connection to its tangible, experiential compliment. Across this selection of nine paintings that piece together "Burger" Sawhney embellishes every facet of this object that is quickly disposed of, if not consumed. "Burger" not only feeds the mind but also establishes a metaphor between personal habit and excess.
Tom Bovo. Untitled, leaves, 2013. Photograph. 30 × 24 in.
Still Life
Apr 4th – 30th 2018
Artsy Online Exclusive
Works by Gail Flanery, Susan Kaprov, Tom Bovo, Jessica Baker, Robert Melzmuf, Andrea Morganstern and Derek Weisberg
"Still Life" ventures back into the artist studio to examine one of the learned subjects of representation. Historically the Still Life presented itself as a vase of flowers that are set in juxtaposition to small souvenirs such as a chalice, book, key, writing utensil, skull or fruit. Flowers have imbued a sense of vitality and function into the singularity of personal, handheld objects. The sense of abundance became a means of reflection that once ran as a compliment to figurative painting.
Contemporary artists have found themselves in a similar situation, finding ways to represent memory and personal associations within the din of image proliferation. Gail Flanery, for instance, presents "Rose" as an unfolding color-scale that begins with light pink and ends with a very intense red. Susan Kaprov punctuates floral arrangements seen in "Gardens & Galaxies (Purple)" and "Gardens & Galaxies (Red)" with stronger tones, made possible by the artist's use of a black background.
Tom Bovo, however, utilizes a white background in an untitled photograph and presents a single bouquet of vivid green leaves while Jessica Baker's monotype titled "Three Birch" presents the white silhouette forms of dried leaves within a black circle.
The abstract painting of "Waves" by Robert Melzmuf and "Burst 3" by Andrea Morganstern reference to the habitat needed for the continued growth of bright foliage while Derek Weisberg's stoneware and porcelain sculpture titled "Tell Me About The Worms VIII" presents flowers as sculptures that function as a long-standing memorial.
Emmanuel Achusim. Untitled, leaves, 2013. 30 × 24 in
Emmanuel Achusim: Weight
Nov 17th – Dec 17th 2017
New York, Artsy Online
“Weight” by Emmanuel Achusim presents a selection of ten photographs that portray the artist within a single white interior. As an individual from the African country of Nigeria, who now lives in Ukraine, Achusim’s use of this basic photographic arrangement bursts open a range of multi-cultural issues that are equally understandable as we share the view of an individual man whose blackness remains immersed inside the monolithic white walls of the photography studio.
Throughout “Weight” the photographer shows himself in different poses that make the content of his work immediately accessible, rather than buried in metaphors. “Blur” for instance, shows the image of a man from the back. The individual not only appears in the distance, but the subject himself is a silhouette whose personal individuality is left as an unknown feature.
“Hypocrisy” presents a sitting portrait of the artist who wears a clock over his face, maintaining anonymity while leaving this image open for other viewers to identify with. “Depression,” “King over Nothing,” “The Aftermath of Pride,” and “The Fall of Adam,” reveal the individual’s daily struggle in a world that is against one, a perceived heavy weight of opposition.
“No Security,” “Pepper Spray 2,” “Lazarus,” and “Man,” first appear to show a subject who shrugs off the weight of the world around him. However, the subtle tone of intimidation seen in “Man,” suggests that these still moments set forth by Achusim are more about complacency than inner peace.
Pasadena Leaves by Tom Bovo
November 14th - November 27th
Lazy Susan Gallery
November 19th - “Autumn Leaves” by Anne Phelan, with actors Michelle O'Connor-Hill & Jacob Grigolia-Rosenbaum
at 7pm and 8pm.
In the shadow of Paris Photo, Artists Studios presents “Pasadena Leaves” by Tom Bovo with a reception on Thursday, November 16th, from 6pm to 8pm. “Pasadena Leaves” is a solo exhibition of photographs that reveal an array of detailed introspections into autumnal foliage.
Tom Bovo began this series of photographs while on a trip to Pasadena, California and it inspired a subsequent series titled “The Leaves.“ In “Pasadena Leaves” Bovo presents his subject in context, still embedded in the landscape and connected to a tree while the seasons bear various changes across the deciduous surface. Similar to paper and other fibrous media, leaves are ephemeral extensions that produce flowers, seeds and shells while showing different grades of color.
The photographs seen throughout "Pasadena Leaves” capture the texture and surface of the photographer’s subject. However his use of black-and-white, as well as that of digital color, releases each leaf from its repetitive life-cycle and instead presents a larger meditation upon form. Bovo’s photographs specialize particularly in landscape, creating images that reveal details often missed within the voluminous context of both rural and urban areas.
Tom Bovo studied art with Andre Racz, David Lund and Robert Blackburn at Columbia University. His choice of photography over other media evolved from childhood, when his father had given him a camera from the US Army Post Exchange in Japan. “My images are not accidents,” states Bovo. “the camera does not reveal things that do not exist, but can reveal the things we filter out when looking directly at them.” Unlike the random, serendipity of American modern painting, the photographic medium for Bovo provides a direct reflection of what lies before the camera.
Inverse Variants by Katherine Gagnon and Jinie Park
October 26th to November 9th, 2017
Lazy Susan Gallery
Katherine Gagnon works in oil on wood panels and Jinie Park works with acrylic on various fabrics. While the artists have known each other’s work for four years, they recently discovered during a studio visit how their practices correlate through their personal relationship to perceived environment. Conceptually and formally their starting points while painting oppose each other giving their work an inverse relationship. Both calling on memory of environment and felt experience, their practices overlap during the process of making. The artists’ paintings give a physical presence to the psychological residue of everyday life.
Stumbling in and out of visceral landscapes both artists meditate on their perceived surroundings. How do what the artists see and feel outside the studio relate to the images and structures embraced while painting? Gagnon seeks to discover a referent—lines and gestures become forms and tree bodies, where as Park's light conditions, originating from memory of everyday experiences, dissolve into the non-objective during the process of making.
Gagnon fuses her interest in communication and the semiotic potential of paint itself. "Swan Song" measuring five feet by five feet, reveals her desire for life-scale work to create an all-consuming experience for her audience. Forms that teeter on the playful yet ominous emerge to loom over the viewer. Trees and branches like torsos and limbs, reach out to hold the viewer or stand in solace at a distance. Her need to anthropomorphize plant life comes from wanting to merge her relationships with the physical and psychological. Gagnon’s work comes to life when the act of mark making on a surface becomes a “thing” wanting to be named, or as the artist notes, “the moment when verbs become nouns.”
Park’s attention to texture and edge carries her strong ties to color relationships to the forefront of her work. Serene palettes become decisive acts of transference. She acknowledges a link in her work to traditional crafts such as sewing, knitting, quilting and woodwork. Park finds the process of how the individual elements such as threads, fabrics or wooden bars create an entity or structure relevant to how she builds the elements of daily experiences into an abstract idea. Regarding the process of making as one in three parts, she alludes to a “three chamber” structure in her practice identifying experience outside the studio, inside the studio and the art object itself. The correlation between life and making proves these relationships as not linear, but linked through an oscillation of time and place.
Seeking the visceral in the digital world, Inverse Variants conveys a deep-rooted connection to the physical means of painting and works to be experienced in person rather than online only. Gagnon’s scale shifts from painting to painting and Park’s textural richness and attention to edge reveal two emerging painters embracing aesthetics and intentionality to discover their own visual voice.
Widening by Sarah E. Brook & Gail Flanery
September 12th - September 18th, 2017
Lazy Susan Gallery
Gail Flanery and Sarah E. Brook present “Widening” at the Lazy Susan Gallery, a 2-person exhibition curated by AS | Artists Studios, that highlights brand new directions in both artists’ respective practices, exploring the opening of new relationships with their work.
Gail Flanery’s prints and collages are driven by vision, uncertainty, knowledge and exploration of materials. She is seduced by printmaking’s dual potentials of exploration and control, and consistently maintains an attitude of provocation in her practice. The act of risk-taking and challenging herself to be surprised keep her concepts from repeating, and her work continually pushes forward. In these most recent pieces, Flanery has increasingly explored and pushed line, composition and color. Still, she seeks to widen the possibilities.
Sarah E. Brook’s installation and limited edition prints investigate the relationship between identity and the physicality of place, with particular emphasis on expanse as a transformative mechanism. Brook’s light-permeable materials and painted gradients offer opportunities for the viewer to both visually and psychologically enter a piece, using relationship with place (both extant and created) as an experiential catalyst for re-encountering the self.
Leslie Kerby. Embrace It, 2012. Mixed media collage. 26 × 20 in
America
Sep 5th – 29th 2017
New York, Artsy Online
Left to right: Aimee Hertog
Fleur (Essence) by Melissa Eder and Aimee Hertog
August 29th - September 4th, 2017
Lazy Susan Gallery
Melissa Eder and Aimee Hertog bring “Fleur (Essence)” to the Lazy Susan Gallery at 191 Henry Street on August 29th, following its debut at the Satellite Art Fair during Art Basel Miami in December 2016.
“Fleur (Essence)” is an ambitious, playful, and wildly colorful collaborative installation that integrates mixed-media, assemblage and photography in an accessible, open-space context that explores the notions of kitsch along with the unexpected beauty of ordinary objects.
Eder’s photographic and ephemeral reproductions, for instance, depict merchandise found in 99-cent stores while Hertog displays her signature sculptural assemblage works fashioned from the detritus of her daily life. Hertog manipulates discarded clothing, Styrofoam, and shredded paper, transforming throw-away materials while other items such as fragments of fabric, dead flowers, and broken glass are left untouched, in their raw state.
Eder will display her large-scale photographs from “Can You Dig It? A Chromatic Series of Floral Arrangements,” an evolving group of photographs that portrays an array of floral arrangements using fake, plastic flowers. Further blurring the line between high and low art, Eder uses a low-tech camera and simple lighting, challenging the definition of a well-crafted photograph. Her photographs strike a comparison between the concepts of natural versus artificial, and what is considered beautiful or deemed distasteful.
Using kitsch as its primary point of departure, “Fleur (Essence)” is a motley, engaging, and vital space in which to contemplate the nature of beauty.
Marine Joatton. Père et fils , 2015. Pastel on paper. 8 3/10 × 11 7/10 in
Textures
Aug 1st – 31st 2017
New York, Artsy Online
"Textures" is an online group exhibition featuring art by Garry Grant, Hildy Maze, Jessica Baker, Marine Joatton, Annemarie Waugh and Michelle Kaufman that reflects the atmosphere and ambiance of late summer. Each artist’s specific combination of material, color and form appeal at once to the senses of touch, sound, smell and taste thereby transforming the experience of sun-worn colors, the deep-lit horizon, dried vegetation and the process of seasonal reflection into tangible, felt memories. “Textures” also highlights the imminent retreat of the slow summer while taking the viewer from the sands of North Africa over surfaces of paint and pressed leaves, to the setting of a private front door and grass-covered yard.
“Old Blue Medina” (2017) by Garry Grant presents a culmination of the artist’s recent experiences in Morocco. Through the unpredictability of dried paper pulp, Grant condenses the paradox of dry sand, clay soil and coastal waters into a vast number of small-scale, hand-held paintings known as “The Fortification Series” - a vast record of time spent in Morocco that takes the form of a changing texture, coated with different colors, while appearing unique across each piece.
Jessica Baker’s monotype print titled “Whirlybird Configuration 4” (2009) bridges the found object with both the handmade and mechanical processes of reproduction. Baker’s deep interest in landscape details appears throughout her meticulous arrangement of maple tree seeds. The primary form and pattern of the circle within this composition renders a meditative aura through a faded hue of blue.“natural patterns beneath” (2017) by Hildy Maze and “Linear equations 2” (2017) by Annemarie Waugh both utilize scales of pastel colors within the genre of abstract painting in order to create an idea of Long Island coastal summers within the abundant deciduous landscape. Maze, in particular, leaves oil on paper untouched so that the medium flows away from the pigments, eschewing traditional beauty with one more immediate.
The character of late summer surfaces in “Wait Till Later” (2015) a painting by Michelle Kaufman that shows a woman and child at play in a residential yard. Kaufman’s subjects are anonymous but the mother’s pull against youthful play suggests the shorter windows of sunlight that occur during warmer days of late summer. Marine Joatton’s “Père et fils” (2015) is a small pastel on paper showing a man standing in black hat, gray shirt and tie next to his child who wears a green hat and yellow costume. Joatton’s drawing not only suggests the events typical of early Autumn but also serves as a recollection of the one before.
Fabian Freese. Installation view of “Rainbow Inside” (2017).
Rainbow Inside by Fabian Freese
June 6th to June 12th, 2017
Lazy Susan Gallery and Artsy Online
The rainbow is an element with meaning that also reflects the artist’s open-minded view of the world, that every single person on this planet carries the same important value as another regardless of race, color, religion, who we love, wealth, and education. Every person is equal on this beautiful planet.
The rainbow is an element which came up in the development of Fabian Freese’s minimal artworks, starting with monochrome color fields where he faded two colors together, such as blue with green. Freese then started to add more hues into these sprayed fadings and was suddenly up to 5 colors of the rainbow, using bright neon shades to get the best color effect. The rainbow appeared as a coincidence in the process of his art and now Freese works with it like a single pigment.
“Rainbow Inside” stands as a reflection of Fabian Freese’s feelings and point of view that have developed from his travels around the world. The rainbow installation will also include photographs that will allow visitors to experience Freese’s interpretation of place within the scope of juxtaposing but complimentary colors.
Graciela Cassel. Film Still of City Life (2014).
City Life (2014) and Rivers (2016)screening by Graciela Cassel
November 30th, 2016
Lazy Susan Gallery
Rivers has received a 2016 New Works Grant from the Queens Council On the Arts .
City Life will be featured in the “Audience Choice Awards” on December 7th at 7:15pm by the NewFilmmakers New York at Anthology Film Archives.
Sally Ko. Untitled (2016).
A C I D F R E E
October 26 – November 1, 2016
Lazy Susan Gallery
Lazy Susan Gallery is pleased to present Acid Free – a group exhibition of new art by Christybomb, MAVA, and Sally Ko, curated by Jill Conner of Artists Studios. The show’s title references elusive and, at times, exclusionary boundaries that exist between the realms of art and craft.
Sue Chenoweth. Untitled (2016).
Fades the Landscape from Our View
September 20 - September 26, 2016
Opening Reception: September 21, 6-8pm
Sue Chenoweth returns to New York City from Phoenix, Arizona with a new series of surreal, multi-media paintings over mylar and paper. “Fades the Landscape from Our View” recasts three older pieces within a creative continuum that appears in the artist’s paintings from 2016.
By Appointment Only
August 1st to August 2nd
By Appointment Only presents drawings, paintings, serigraphs and sculptures by Wilson Trouvé and Sébastien Vonier. Trouvé explores the gravity of line, the sensuous drip, while Vonier captures the tension that exists between positive and negative space.
Left to right: Wilson Trouvé and Sebastien Vonier
Keri Oldham. Judith & Holofernes, 2016, watercolor and graphite on paper, 26 x 32 inches
BLOOD BANNER by Keri Oldham
July 16th - July 30th, 2016
Lazy Susan Gallery
The Lazy Susan Gallery in collaboration with AS | Artists Studios, is proud to present BLOOD BANNER, a pop-up solo of work by artist Keri Oldham with an opening reception on Saturday, July 16th from 6pm to 8:30pm. The exhibition will continue through July 30th Tuesday thru Sunday from 12pm to 6pm.
The work in BLOOD BANNER combines images of demons and warriors with tragic figures and victorious ones. Inspired by the myth of the labyrinth as well as the short story, The Yellow Wallpaper, Oldham intersects two tales of demonology- the beasts that are external as well as the ones that reside within. To allude to The Yellow Wallpaper, a hallucinatory tale that chronicles the progressive hysteria of a bed-bound 19th century woman, Oldham builds wallpaper design and pattern into her work, locking figures into maze-like and bloodied tableaus. Combining medieval demons with fashion and cinematic fantasy, these images are modern allegories for inner turmoil as well as women’s fight for success and identity in modern life.
CURIOUSLY
June 17th to June 20th, 2016
Lazy Susan Gallery
Presented by AS | Artists Studios Karen Gibbons, Tom Bovo and Gail Flanery capture the spirit of curiosity and collaboration. These artists share a ‘collage’ sensibility using nuanced layers to tell their stories through photography, painting, prints and sculpture. Though expressed in different ways, their adventurous energy achieves a rare synergy.
June 18th, “Hades” by Anne Phelan
Commissioned by Fool’s Progress Productions, and is inspired by Tom Bovo’s “Merge” photograph “Hades” directed by Katrin Hilbe, features Jacob Grigolia-Rosenbaum as Dante and CK Allen as Virgil.
Dante has been driven from his home in Florence, Mass. Disillusioned, homeless and broke, he meets Virgil on the streets of Brooklyn. Virgil then proceeds to guide Dante through three circles of Hell in Park Slope and Gowanus where they encounter a murdering wife, a notorious Welsh traitor from King Arthur’s time and finally Marcus Junius Brutus the Younger, the murderer of Julius Caesar. By the end of the play, Dante has begun to rebuild his spirit, and he and Virgil go off to further adventures.
Fabian Freese. Untitled (2016). Mixed Media.
Drawings for New York by Fabian Freese
April 27th to May 3rd, 2016
Lazy Susan Gallery
This exhibition of photographs is shown in conjunction with Fabian Freese’s site-specific series of light paintings for New York City that will be made at the Brooklyn Bridge Park near the DUMBO Ferry Terminal.
PATH
February 26th to March 12th, 2015
Field Projects Gallery
AS | Artists Studios presents PATH, a two-person show that features “Jane’s Electronic Poem,” (2014) by Hakeem b and “Fragile Nature,” (2015) by Joanne Howard.
PATH is a nexus of different networks originating separately in Paris and New York. While Hakeem b and Joanne Howard live in two different locations, PATH explores the idea of shifting terrain that exists in time and space. Together, both artists utilize video, sculpture and installation to address the impact of fast-paced movement, hinting at moments that die as fast as memories fade. Yet the imprint of repetitive movements and directions linger, revealing the paradox of predictability.
Above: Hakeem B. Jane’s Electronic Poem (2014). Film still. Below: Joanne Howard. Deer #1 (2014-15), C-print photograph.
AS | Orchard
33 Orchard
July 31st to August 16th, 2014
On Thursday July 31st from 6pm to 8pm Jill Conner, Founder of AS | ARTISTS STUDIOS, will present "AS | Orchard" the 5th in-‐person exhibition from AS | ARTISTS STUDIOS that will take place in the gallery space of 33 Orchard. Located in the heart of the Lower East Side, "AS | Orchard" introduces work by 30 non-‐ represented artists, bringing to view the most vibrant art made in contemporary studios today.
Through the fusion of art history and art criticism, AS | ARTISTS STUDIOS serves as an online archive, document and resource of the strongest non-‐represented art that is made in studios throughout New York City and Paris, France. AS | ARTISTS STUDIOS partners with L'Association - Premier Regard, whose outstanding exhibition committee regularly identifies and guides collectors to the best emerging art prior to representation.
Participating Artists: Ilona Anderson, LaThoriel Badenhausen, Gretchen Bennett, Serena Bocchino, RobRoy Chalmers, Colin Chase, Vicki DaSilva, Jane Dell, Melissa Eder, Anne Ferrer, Aimee Hertog, Joanne Howard, Pavel Kraus, Patricia Lay, Chrissy Lush, Bridget O’Rourke, Mary Pinto, Richard Pitts, Holly Knox Rhame, Eleanor Schimmel, Gisella Sorrentino, Lisa Sylvester, John Tomlinson, Wilson Trouvé, Sébastien Vonier, Annemarie Waugh, Joyce Ellen Weinstein, Margaret Withers, Rachael Wren, Nola Zirin.
AS | AP
November 7th to November 29th, 2013
111 Front Street Room 212
Dumbo, Brooklyn
AS | AP presents a selection of art by 49 contemporary artists from AS | ARTISTS STUDIOS showing a renewed connection between the urban street and contemporary studio. Responding to various ironies inherent within a fast-evolving digital culture, AS | AP echoes the Cut-Ups of Brion Gysin and William Burroughs from 1954.
By engaging the juxtaposition between the urban street and the solitary nature of the artist’s studio AS | AP revisits painting, sculpture, photography, collage and drawing that responds to the constant unease of the postindustrial era, characterized by immediate transmission and pure transparency of information.
Participating Artists: Fanny Allié, Ilona Anderson, LaThoriel Badenhausen, Jessica Baker, Nancy Baker, Eric Banks, Polina Barskaya, Angelo Bellobono, Serena Bocchino, Dianne Bowen, Rob Campbell, RobRoy Chalmers, Koren Christofides, Jane Dell, Melissa Eder, Anne Ferrer, Chambliss Giobbi, DeWitt Godfrey, Garry Grant, Fred Gutzeit, Aimee Hertog, Ko IRKT, Elizabeth Jordan, Scott Kahn, Susan Kaprov, Leslie Kerby, Sky Kim, Pavel Kraus , Michael Kukla, Pat Lay, Hannah Layden, Deanna Lee , Itty Neuhaus, Richard Pitts, Pablo Power, Holly Knox Rhame, Marianna Rothen, Gisella Sorrentino, Eliza Stamps , Lisa Sylvester, Wilson Trouvé , Sébastien Vonier, Annemarie Waugh, Derek Weisberg, Ejay Weiss, Margaret Withers, Rachael Wren and Nola Zirin.
NADA NEW YORK
May 10th to May 12th, 2013
Basketball City, Manhattan
Participating Artists: Noah Becker, Serena Bocchino, Dianne Bowen, Vicki DaSilva, Anne Ferrer, Miehelle Kaufmnn, Charles Printz Kopelson, Debra Ramsay, Holly Knox Rhame, Sam Trioli, Wilson Trouvé, Sébastien Vonier, Rachael Whitney, Rachael Wren and Nola Zirin.
Boom And Bloom
The Phatory
May 3rd to May 31st, 2013
Boom And Bloom embraces the grit and growth of contemporary art within the conflicting confines of the densely packed urban landscape. Reaching out to artists in both Paris and New York, this show will present work by the most compelling emerging artists featuring sculptures, drawings, prints, paintings and photographs. Boom And Bloom will appear in conjunction with the NADA and Frieze art fairs, and present art made by 14 artists featured on the AS | ARTISTS STUDIOS website.
Launched in 2011 AS | ARTISTS STUDIOS is an archive of the strongest non-represented art made in both New York City and Paris, France.
Participating AS | Artists: Annette Cords, Jane Dell, Melissa Eder, Aimee Hertog, Elizabeth Jordan, Leslie Kerby, Patricia Lay, Richard Pitts, Patricia Satterlee, Gisella Sorrentino, Mark Sengbusch, Carol Salmanson, Wilson Trouvé, and Margaret Withers.
Real Time
February 8th, 2013
Studio of Lathoriel Badenhause
526 West 26th Street, #523
Real Time presents art made by 63 artists who are featured in the AS | ARTISTS STUDIOS website, www.artists-studios.com . Launched in 2011 AS | ARTISTS STUDIOS is an archive of the strongest non-represented art made by artists in both New York City and Paris, France.
Participating AS | Artists:
Miriam-Josephine Alcott, Fanny Allié, LaThoriel Badenhausen, Jessica Baker, Eric Banks, Noah Becker, Gretchen Bennett, Serena Bocchino, Dianne Bowen, Michele Brody, James Clark, Ezra Cohen, Ernest Concepcion, Vicki DaSilva, Melissa Eder, Elise Engler, Anne Ferrer, Christine Gedeon, Fred Gutzeit, Aimee Hertog, Heidi Howard, Will Hutnick, IRKT, Elizabeth Jordan, Scott Kahn, Michelle Kaufman, Leslie Kerby, Heins Kim, Sky Kim, Charles Printz Kopelson, Pavel Kraus, Pat Lay, Hannah Layden, James Lipovac, Tim Maxwell, Christian Mendoza, Chris Mottalini, Matt Nolen, Bridget O’Rourke, Peter Passuntino, Adam Peiffer, Richard Pitts, Pablo Power, Nuria Rabanillo-de la Fuente, Gregorio Racadio, Debra Ramsay, Holly Knox Rhame, Grace Roselli, Carol Salmanson, Patricia Satterlee, Mark Sengbusch, Ethan Shoshan, Jason Stopa, Marisa Tesauro, Sam Trioli, Scott Walden, Xiao Wang, Ejay Weiss, Brian Andrew Whiteley, Rachael Whitney, Margaret Withers, Rachael Wren, Nola Zirin